Pi

Released in 1998 (review written February 7, 2025)
Rating: 9/10


This movie has CIA written all over it. Before going into that though, it's also a good movie too -- full of suspense and anxiety like only a neurotic Jew could display. Max Cohen looks very similar to the random Jewish guy used in The Residents' music video "Hello Skinny" (click here to watch that). The staring of strangers on the street really adds to the paranoia, and all the director had to do was film people without saying a word. They provided natural reactions. The musical score was excellent too and it's hard to say no to drum 'n bass.




So here are some pertinent pieces of information:
  • In the beginning, the girl asks Max what 73/22 is: 3.3181818... notice the 33 and the 18
  • 18 is Chai, pronounced "high" with a little phlegm in the h, in Hebrew. In gematria, the letters add up to 18, and "many Jews give gifts of money in multiples of 18" because it symbolizes life, being alive
  • Also known as aces and eights, the dead man's hand that Wild Bill Hickok supposedly held. Many people who died untimely or violent deaths are connected to 1 and 8 strangely (August = 8, October is also 8, hence "oct") and it's because it's a signal for a fake death by the ruling elites and their helping spies
  • When they fake an event for propaganda purposes, they leave a sign for other agents under deep cover to know it's fake and not to worry. So 18 and its variations are a "show", which is a close Hebrew pun in "chawy", and "uno acto", an act in Latin, and a near homophone of uno octo, 1 and 8. Lastly, 11-8 is undeca-octo, which puns with undique acta or "completely enacted"
  • 33 is trigunta tribus in Latin: tricando tribus = tricking the tribes, triginta tercia = trick tragedy (fake death). If written with Hebrew numerals, 33 spells out the word לג lg, which is similar to לעג lˁg “mockery
  • I got all this from here, a great source of hidden linguistic info, please read more about it
With all that out of the way, it's pretty strange that the movie would show 73/22 and the repeating spook numbers. But I noticed something even weirder: at 51:33 in the movie, Max says it is 18:33, or 6:33 in the evening, when he presses the Return key for his computer to process the Torah. So it's not just isolated numbers now! They recur in this movie. I also spotted them on his stock market feed in his bedroom, scrolling by, but I can't find them and am too lazy to rewatch it this soon.

It makes sense considering both Darren Aronofsky and Sean Gullette (Max) came out of Harvard, a major CIA recruitment school. Some more strange things I noticed: Sean Gullette wrote essays for magazines, including Spy and another called KGB. His mother Margaret Morganroth is a resident scholar at Brandeis University, founded in 1948, the same year as the founding of Israel and one year after the start of the CIA.



And what's this? Among the film's benefactors are "Schilds". I found Mark and Shara Schild related to Bertram Schild, a tax accountant and private stock market investor, and his wife Suzanne Dreyfus.

Could Suzanne be related to Gerard Louis-Dreyfus and his daughter Julia? His net worth in 2016 was approximately $3.4 billion. Could Bertram Schild actually be a Rothschild? Considering the material in this movie, I would say yes to both.

So what propaganda is the movie selling us? First and foremost, it is telling the audience that the stock market is a natural, chaotic system and if only we could make sense of it, we'd make tons of money. That's bullshit! The stock market is fake and completely ordered and totally rigged. They want you to think it's real so you don't notice that they're generating money from absolutely nothing, and handing over the secrets to their friends. Since the Phoenicians/Jews and the CIA are the ones manufacturing fake world events (chemical spills, shootings, elections, sports, etc) they know who "wins" and know ahead of time a stock will go down; thus they tell their buddy to buy in during the dip, knowing the company will bounce back after the fake event wears off and the public's tiny attention span looks away.

The movie also sells the idea that noticing numerical patterns is crazy. You're a nut if you actually pay attention and notice how many famous people were either born on or died on some variation of 1, 8, 33, or 47. I still love this movie and will watch it every now and then because of the stylization. Good job on that front, but you won't get me on the other ones.